Kazi Nazrul Islam
Kazi Nazrul Islam was a Bengali poet, musician, revolutionary, and philosopher who pioneered poetic works espousing intense spiritual rebellion against orthodoxy and oppression. His poetry and nationalist activism earned him the popular title of Bidrohi Kobi (Rebel Poet). Accomplishing a large body of acclaimed works through his life, Nazrul is officially recognised as the national poet of Bangladesh and commemorated in India.
Early lifeKazi Nazrul Islam was born in the village of Churulia in the Burdwan District of Bengal (now located in the Indian state of West Bengal). He was born in a Muslim family who is second of three sons and a daughter, Nazrul's father was the imam and caretaker of the local mosque and mausoleum. Nazrul's mother was Zaheda Khatun. Nazrul had two brothers, Kazi Shahebjan and Kazi Ali Hussain, and a sister, Umme Kulsum. Nicknamed Dukhu Mia (Sad Man), Nazrul began attending the maktab — the local religious school run by the mosque — where he studied the Qur'an and other scriptures, Islamic philosophy and theology. He later became the muezzin at the mosque, leading the community prayers.
Attracted to folk theatre, Nazrul joined a leto (travelling theatrical group) run by his uncle Bazle Karim. Working and travelling with them, learning acting, as well as writing songs and poems for the plays and musicals.
In 1910, Nazrul left the troupe and enrolled at the Raniganj Searsole Raj School, and later transferred to the Mathrun High English School, studying under the headmaster and poet Kumudranjan Mallik. Unable to continue paying his school fees, Nazrul left the school and joined a group of “kaviyals”. Later he took jobs as a cook at the house of a Christian railway guard and at a bakery and tea stall in the town of Asansol. In 1914, Nazrul joined the Darirampur School (now Nazrul University) in Trishal, Mymensingh District.
At the age of eighteen. He joined the British army. Attached to the 49th Bengal Regiment, he was posted to the cantonment in Karachi, where he wrote his first prose and poetry.
CareerNazrul left the army in 1920 and settled in Calcutta, which was then the Cultural capital of India (it had ceased to be the political capital in 1911). He joined the staff of the “Bangiya Mussalman Sahitya Samiti” ("Bengali Muslim Literary Society") and roomed at 32 College Street with colleagues. He published his first novel "Bandhan-hara" ("Freedom from bondage") in 1920, which he kept working on over the next seven years. His first collection of poems included "Bodhan", "Shat-il-Arab", "Kheya-parer Tarani" and "Badal Prater Sharab" and received critical acclaim.
Nazrul reached the peak of fame with the publication of "Bidrohi" in 1922, which remains his most famous work, winning admiration of India's literary classes by his description of the rebel whose impact is fierce and ruthless even as its spirit is deep.
Published in the "Bijli" magazine, the rebellious language and theme was popularly received, coinciding with the Non-cooperation movement — the first, mass nationalist campaign of civil disobedience against British rule.
Nazrul started a bi-weekly magazine, publishing the first "Dhumketu" on August 12, 1922. Earning the moniker of the "rebel poet”, Nazrul also aroused the suspicion of British authorities. A political poem published in "Dhumketu" in September 1922 led to a police raid on the magazine's office. Arrested, Nazrul entered a lengthy plea before the judge in the court.
On April 14, 1923 he was transferred from the jail in Alipore to Hooghly in Kolkata, he began a 40-day fast to protest mistreatment by the British jail superintendent. Nazrul broke his fast more than a month later and was eventually released from prison in December 1923. Nazrul composed a large number of poems and songs during the period of imprisonment and many his works were banned in the 1920s by the British authorities.
Married lifeDuring his visit to Comilla in 1921, Nazrul met a young Hindu woman, Pramila Devi, with whom he fell in love and they married on April 25, 1924. Pramila belonged to the Brahmo Samaj, which criticised her marriage to a Muslim. Nazrul in turn was condemned by Muslim religious leaders and continued to face criticism for his personal life and professional works, which attacked social and religious dogma and intolerance. Despite controversy, Nazrul's popularity and reputation as the "rebel poet" rose significantly.
Mass musicIn what his contemporaries regarded as one of his greatest flairs of creativity, Nazrul began composing the very first ghazals in Bengali, transforming a form of poetry written mainly in Persian and Urdu. Nazrul for the first introduced Islam into the larger mainstream tradition of Bengali music. The first record of Islamic songs by Nazrul Islam was a commercial success and many gramophone companies showed interest in producing these. In 1928, Nazrul began working as a lyricist, composer and music director for His Master's Voice Gramophone Company. The songs written and music composed by him were broadcast on radio stations across the country. He was also enlisted/attached with the Indian Broadcasting Company. Nazrul's songs are collectively called as Nazrul geeti.
Later lifeIn 1933, Nazrul published a collection of essays titled "Modern World Literature", in which he analyses different styles and themes of literature. Between 1928 and 1935 he published 10 volumes containing 800 songs of which more than 600 were based on classical ragas. Almost 100 were folk tunes after kirtans and some 30 were patriotic songs. From the time of his return to Kolkata until he fell ill in 1941, Nazrul composed more than 2,600 songs, many of which have been lost.
Nazrul's first picture for which he worked was based on Girish Chandra Ghosh's story "Bhakta Dhruva" in 1934. Nazrul acted in the role of Narada and directed the film. He also composed songs for it, directed the music and served as a playback singer. The film "Vidyapati" ("Master of Knowledge") was produced based on his recorded play in 1936, and Nazrul served as the music director for the film adaptation of Tagore's novel Gora. Nazrul wrote songs and directed music for Sachin Sengupta's bioepic play "Siraj-ud-Daula". In 1939, Nazrul began working for Calcutta Radio, supervising the production and broadcasting of the station's musical programmes. He produced critical and analytic documentaries on music, such as "Haramoni" and "Navaraga-malika".
He returned to journalism in 1940 by working as chief editor for the daily newspaper "Nabayug" ("New Age"), founded by the eminent Bengali politician A. K. Fazlul Huq.
IllnessAfter the death of Rabindranath Tagore Nazrul himself fell seriously ill and gradually began losing his power of speech. His behaviour became erratic, and spending recklessly, he fell into financial difficulties. In spite of her own illness, his wife constantly cared for her husband. In 1952, he was transferred to a mental hospital in Ranchi. After that Nazrul and Promila sent to London, then to Vienna for treatment. His condition judged to be incurable, Nazrul returned to Calcutta on 15 December 1953. On June 30, 1962 his wife Pramila died and Nazrul remained in intensive medical care. In 1972, the newly independent nation of Bangladesh obtained permission from the Government of India to bring Nazrul to live in Dhaka and accorded him honorary citizenship.
AwardNazrul pioneered new styles and expressed radical ideas and emotions in a large body of work. Scholars credit him for spearheading a cultural renaissance in Muslim-majority Bengal, "liberating" poetry and literature in Bengali from its medieval mould. Nazrul was awarded the Jagattarini Gold Medal in 1945 — the highest honour for work in Bengali literature by the University of Calcutta — and awarded the Padma Bhushan, one of India's highest civilian honours in 1960. The Government of Bangladesh conferred upon him the status of being the "national poet". He was awarded the Ekushey Padak by the Government of Bangladesh. He was awarded Honorary D.Litt. by the University of Dhaka.
DeathAfter suffering from long illness Nazrul died at 29 august 1976. His grave is situated beside the Dhaka University Mosque.